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      • Trusted Partner
        Radio
        November 2015

        Listen in terror

        British horror radio from the advent of broadcasting to the digital age

        by Richard J. Hand

        This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and 'spoken word' auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio.

      • Trusted Partner
        The Arts
        April 2014

        Listen in terror

        British horror radio from the advent of broadcasting to the digital age

        by Richard Hand

        This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and 'spoken word' auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio. ;

      • Trusted Partner
        The Arts
        July 2021

        Tuning in to the neo-avant-garde

        Experimental radio plays in the postwar period

        by Inge Arteel, Lars Bernaerts, Siebe Bluijs, Pim Verhulst

        Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.

      • Trusted Partner
        The Arts
        July 2021

        Tuning in to the neo-avant-garde

        Experimental radio plays in the postwar period

        by Inge Arteel, Lars Bernaerts, Siebe Bluijs, Pim Verhulst

        Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.

      • Trusted Partner
        Humanities & Social Sciences
        July 2022

        London calling Italy

        BBC broadcasts during the Second World War

        by Ester Lo Biundo

      • Trusted Partner
        Humanities & Social Sciences
        July 2022

        London calling Italy

        BBC broadcasts during the Second World War

        by Ester Lo Biundo

      • Trusted Partner
        The Arts
        December 2020

        Radio / body

        Phenomenology and dramaturgies of radio

        by Farokh Soltani

        This study provides an in-depth exploration of the dramaturgical practices of radio drama and their underlying philosophical assumptions. By presenting an analytical model drawn from phenomenology, it challenges the current understanding of the medium, instead focusing on the bodily and aural aspects of radio drama, while offering a critique of the conventions of dramaturgical practice for neglecting these affective sonic aspects. Tracing these conventions through the history of the development of radio drama, it proposes that a more bodily, resonant mode of radio dramaturgy is best placed to meet the demands of the current era of digital production and distribution. The book also examines a number of approaches to creating a more embodied experience for the listener.

      • Trusted Partner
        The Arts
        December 2020

        Radio / body

        Phenomenology and dramaturgies of radio

        by Farokh Soltani

        This study provides an in-depth exploration of the dramaturgical practices of radio drama and their underlying philosophical assumptions. By presenting an analytical model drawn from phenomenology, it challenges the current understanding of the medium, instead focusing on the bodily and aural aspects of radio drama, while offering a critique of the conventions of dramaturgical practice for neglecting these affective sonic aspects. Tracing these conventions through the history of the development of radio drama, it proposes that a more bodily, resonant mode of radio dramaturgy is best placed to meet the demands of the current era of digital production and distribution. The book also examines a number of approaches to creating a more embodied experience for the listener.

      • Trusted Partner
        The Arts
        July 2021

        Tuning in to the neo-avant-garde

        Experimental radio plays in the postwar period

        by Inge Arteel, Lars Bernaerts, Siebe Bluijs, Pim Verhulst

        Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres - radio play, feature, electroacoustic music, radiophonic poem, radio opera - to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.

      • Trusted Partner
        The Arts
        December 2020

        Radio / body

        Phenomenology and dramaturgies of radio

        by Farokh Soltani

        This study provides an in-depth exploration of the dramaturgical practices of radio drama and their underlying philosophical assumptions. By presenting an analytical model drawn from phenomenology, it challenges the current understanding of the medium, instead focusing on the bodily and aural aspects of radio drama, while offering a critique of the conventions of dramaturgical practice for neglecting these affective sonic aspects. Tracing these conventions through the history of the development of radio drama, it proposes that a more bodily, resonant mode of radio dramaturgy is best placed to meet the demands of the current era of digital production and distribution. The book also examines a number of approaches to creating a more embodied experience for the listener.

      • Trusted Partner
        Humanities & Social Sciences
        July 2022

        London calling Italy

        BBC broadcasts during the Second World War

        by Ester Lo Biundo

        London calling Italy is a book about Radio Londra, as the BBC Italian Service was known in Italy, and the company's development as a global leader in the broadcasting industry, starting from the Second World War. Drawing on unexplored archive material collected in Italy and the United Kingdom, it aims to understand how the BBC programmes engaged with ordinary Italians, while concurrently conducting political warfare against fascist Italy. The book also focuses on the relationship between the BBC Italian anti-fascist broadcasters, the British Foreign Office, and Labour Party. Key sources analysed in the book are, among others, the Foreign Office's records, the programmes broadcast by the BBC Italian Service during the Allied campaign, the memoirs of Italian anti-fascist broadcasters, the BBC surveys on the audience and the letters sent by listeners of the Italian Service.

      • Radio

        Radio Daze

        Stories From The Front In Cleveland's FM Air Waves

        by Mike Olszewski (author)

        Essentially the story of WMMS, Radio Daze captures the radio scene during the ’70s and ’80s, chronicling how this small FM rock station became the top-rated station in Northeast Ohio and made Cleveland one of the most important radio markets in the world. Mike Olszewski obtained exclusive interviews with many radio legends, revealing how insidious and destructive the battle for radio dominance became. Among other things, he exposes the story behind the reports of ballot box stuffing by WMMS to win the prestigious Rolling Stone magazine Readers’ Poll for best radio station in the country and some of the dirty tricks played by radio stations to get the edge on their competitors.

      • Biography & True Stories
        March 2015

        American Authors Unplugged

        Interviews about Books

        by Martha Cinader

        Representative of modern American Literature, the conversations with authors  in this book are evenly divided between men and women who bring to life the experiences of natives, immigrants, slaves and rebels. As a whole, they address the enduring themes of freedom and the pursuit of happiness. Following is a list of the authors interviewed. For further information about the interviews please refer to the supporting document. Rudolfo Anaya - Zia Summer Chitra Banerjee Divakaruni - Sister of My Heart Russel Banks - Cloudsplitter Nora Okja Keller - Comfort Woman Dr. Leonard Shlain - The Alphabet Versus the Goddess Barbara Chase-Riboud - The President's Daughter A.A. Carr - Eye Killers Lan Cao - Monkey Bridge Hal Sirowitz - My Therapist Said Kate Horsley - Crazy Woman Dennis McFarland - A Face at the Window

      • Radio

        WIXY 1260

        Pixies, Six-packs, and Supermen

        by Mike Olszewski (author)

        The story of one of Cleveland’s most popular and influential radio stationsBefore FM radio and the commanding album rock stations of the 1970s, there was WIXY 1260, a tiny Northeast Ohio AM radio station that became an entertainment powerhouse. Three visionaries assembled a legendary staff of on-air personalities and, with savvy programming and groundbreaking promotions, created WIXY 1260—a station that would become synonymous with 1960s pop culture. A Midwest juggernaut, WIXY aired everything from surf and Motown to country and the British Invasion. Crossing cultural and generational lines in one of the hottest radio markets in the country, it regularly took in more than fifty percent of the Greater Cleveland audience.Bob Weiss, Norman Wain, and Joe Zingale knew the kind of radio Cleveland wanted to hear. They also knew how to market that sound to make it a lifestyle. They bought a small station with a weak signal and renamed it WIXY, and it wasn’t long before their competition fell by the wayside. Mike Olszewski and Richard Berg spin a lively tale of popular culture that will appeal to everyone from baby boomers to media scholars and cultural historians.“Through extensive interviews with insiders, the authors chronicle WIXY’s relatively brief yet exciting run and how the station came to dominate the airwaves in the ’60s and ’70s with a winning combination of tastemaking playlists, unforgettable on-air personalities, and outlandish promotions. It’s a fun story, recounted with ample humor.” —John Soeder, Music Critic, The Cleveland Plain Dealer

      • Digital lifestyle
        March 2018

        TETRA Today

        by Various

        TETRA Today is the only publication exclusively dedicated to TETRA digital trunked radio. It aims to inspire and inform the TETRA community. Launched in 2010, this publication provides technical advice, authoritative editorial and commentary spanning all areas of TETRA from articles on training to case studies showing how TETRA is being deployed in real-life safety organizations.

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