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      • Trusted Partner
        Sustainable art communities
        Teaching, Language & Reference
        December 2017

        Sustainable art communities

        Contemporary creativity and policy in the transnational Caribbean

        by Leon Wainwright, Kitty Zijlmans

        This collection sets out a range of perspectives on the challenges that the Caribbean is facing today, showing how the arts hold a crucial role in forging a more sustainable Caribbean community. It forcefully attests to the view that visual art in particular has a specific contribution to make and that this in turn means striving to foster a sustainable arts community that can contend with an environment of uneven infrastructure, opportunity and public awareness. Spanning the scholarly, artistic and professional fields of arts and heritage, this book compares two of the Caribbean's key linguistic regions - the Anglophone and the Dutch - to address the themes of global-local relations, capital, patronage, morality, contestation, sustainability and knowledge exchange. The result is a milestone of collaboration from diverse global settings of the Caribbean and its diaspora, including Jamaica, the Bahamas, Barbados, Suriname, Curaçao, the Netherlands, United Kingdom, Germany and the United States.

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      • Trusted Partner
        Photographic subjects
        Humanities & Social Sciences
        June 2019

        Photographic subjects

        Monarchy and visual culture in colonial Indonesia

        by Susie Protschky, Andrew Thompson

        Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.

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      • Trusted Partner
        Photographic subjects
        Humanities & Social Sciences
        June 2019

        Photographic subjects

        Monarchy and visual culture in colonial Indonesia

        by Susie Protschky, Andrew Thompson

        Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.

        More
      • Trusted Partner
        Photographic subjects
        Humanities & Social Sciences
        June 2019

        Photographic subjects

        Monarchy and visual culture in colonial Indonesia

        by Susie Protschky, Andrew Thompson

        Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.

        More
      • Trusted Partner
        Performing the jumbled city
        Humanities & Social Sciences
        July 2022

        Performing the jumbled city

        Subversive aesthetics, anticolonial indigeneity and collaborative ethnography in Santiago de Chile

        by Olivia Casagrande, Faye Ginsburg, Andrew Irving, Sarah Pink, Paul Henley

        Performing the jumbled city is a complex artefact beyond its own materiality. Linked to a dedicated website hosting additional audio-visual materials, the book acts as a connecting device allowing an exchange between texts, audio-visual materials, and original artworks, situating it in the emerging field of multi-modal ethnography. From this stance, and as an edited collection co-authored with urban indigenous artists and activists, it interrogates the ways in which knowledge is built and shared. The book is constructed as a particular kind of edited collection, shifting between different authorships. The resulting interaction between individual and collective essays draws together scholars' and activists' perspectives in a rich exchange between textual, visual and dramatic sections, for the book is organised around the original script of the site-specific performance Santiago Waria, and the related exhibition MapsUrbe. Making a claim for creation, rather than recuperation, the essays contained in the book put forward alternative imaginations that disrupt the social and material landscape of the (post)colonial city, defying the spatialities usually assigned to colonised bodies and subjects. As such, and actively engaging with current debates through collective writing by indigenous people raising questions in terms of decolonisation, the book stands as both an academic and a political project, interrogating the relationship between activism and academia, and issues of representation, authorship, and knowledge production.

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      • Trusted Partner
        Performing the jumbled city
        Humanities & Social Sciences
        July 2022

        Performing the jumbled city

        Subversive aesthetics, anticolonial indigeneity and collaborative ethnography in Santiago de Chile

        by Olivia Casagrande, Faye Ginsburg, Andrew Irving, Sarah Pink, Paul Henley

        Performing the jumbled city is a complex artefact beyond its own materiality. Linked to a dedicated website hosting additional audio-visual materials, the book acts as a connecting device allowing an exchange between texts, audio-visual materials, and original artworks, situating it in the emerging field of multi-modal ethnography. From this stance, and as an edited collection co-authored with urban indigenous artists and activists, it interrogates the ways in which knowledge is built and shared. The book is constructed as a particular kind of edited collection, shifting between different authorships. The resulting interaction between individual and collective essays draws together scholars' and activists' perspectives in a rich exchange between textual, visual and dramatic sections, for the book is organised around the original script of the site-specific performance Santiago Waria, and the related exhibition MapsUrbe. Making a claim for creation, rather than recuperation, the essays contained in the book put forward alternative imaginations that disrupt the social and material landscape of the (post)colonial city, defying the spatialities usually assigned to colonised bodies and subjects. As such, and actively engaging with current debates through collective writing by indigenous people raising questions in terms of decolonisation, the book stands as both an academic and a political project, interrogating the relationship between activism and academia, and issues of representation, authorship, and knowledge production.

        More
      • Trusted Partner
        Dreams and atrocity
        Humanities & Social Sciences
        August 2022

        Dreams and atrocity

        Reflections on the oneiric in modern and contemporary representations of trauma

        by Emily-Rose Baker, Diane Otosaka

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      • Trusted Partner
        Dreams and atrocity
        Humanities & Social Sciences
        August 2022

        Dreams and atrocity

        Reflections on the oneiric in modern and contemporary representations of trauma

        by Emily-Rose Baker, Diane Otosaka

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      • Trusted Partner
        Staging art and Chineseness
        The Arts
        November 2019

        Staging art and Chineseness

        The politics of trans/nationalism and global expositions

        by Jane Chin Davidson, Amelia Jones

        This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.

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      • Trusted Partner
        Staging art and Chineseness
        The Arts
        November 2019

        Staging art and Chineseness

        The politics of trans/nationalism and global expositions

        by Jane Chin Davidson, Amelia Jones

        This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.

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      • Trusted Partner
        Russian Orientalism in a global context
        The Arts
        June 2023

        Russian Orientalism in a global context

        Hybridity, encounter, and representation, 1740–1940

        by Maria Taroutina, Allison Leigh

        This volume features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia's perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia's colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.

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      • Trusted Partner
        Dreams and atrocity
        Humanities & Social Sciences
        August 2022

        Dreams and atrocity

        Reflections on the oneiric in modern and contemporary representations of trauma

        by Emily-Rose Baker, Diane Otosaka

        This volume examines the relationship between oneiric and historical episodes of atrocity as depicted in transnational twentieth- and twenty-first-century art, film, literature and theatre. Examining the political and aesthetic power harnessed by dreams in increasingly 'dark times', it takes as its starting point the overlooked significance granted to the oneiric beyond Freudian psychoanalysis. By reading the oneiric within variously known cultural texts - including Holocaust fiction, world cinema, Bronx theatre, surrealist art and two collections of wartime dream transcriptions - the volume also offers a renewed perspective on modern and contemporary trauma. In so doing, it demonstrates the relevance of the oneiric, beyond the interpretative framework of psychoanalysis, as an aesthetic and political tool with which to alert us and respond to the violence of our contemporary world.

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      • Trusted Partner
        Photographic subjects
        Humanities & Social Sciences
        July 2021

        Photographic subjects

        Monarchy and visual culture in colonial Indonesia

        by Susie Protschky

        Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.

        More
      • Trusted Partner
        Staging art and Chineseness
        The Arts
        November 2019

        Staging art and Chineseness

        The politics of trans/nationalism and global expositions

        by Jane Chin Davidson, Amelia Jones

        This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.

        More
      • Trusted Partner
        Performing the jumbled city
        Humanities & Social Sciences
        July 2022

        Performing the jumbled city

        Subversive aesthetics, anticolonial indigeneity and collaborative ethnography in Santiago de Chile

        by Olivia Casagrande, Faye Ginsburg, Andrew Irving, Sarah Pink, Paul Henley

        Performing the jumbled city is a complex artefact beyond its own materiality. Linked to a dedicated website hosting additional audio-visual materials, the book acts as a connecting device allowing an exchange between texts, audio-visual materials, and original artworks, situating it in the emerging field of multi-modal ethnography. From this stance, and as an edited collection co-authored with urban indigenous artists and activists, it interrogates the ways in which knowledge is built and shared. The book is constructed as a particular kind of edited collection, shifting between different authorships. The resulting interaction between individual and collective essays draws together scholars' and activists' perspectives in a rich exchange between textual, visual and dramatic sections, for the book is organised around the original script of the site-specific performance Santiago Waria, and the related exhibition MapsUrbe. Making a claim for creation, rather than recuperation, the essays contained in the book put forward alternative imaginations that disrupt the social and material landscape of the (post)colonial city, defying the spatialities usually assigned to colonised bodies and subjects. As such, and actively engaging with current debates through collective writing by indigenous people raising questions in terms of decolonisation, the book stands as both an academic and a political project, interrogating the relationship between activism and academia, and issues of representation, authorship, and knowledge production.

        More
      • Dancing Through History
        Memoirs
        March 2012

        Dancing Through History

        In Search of the Stories That Define Canada

        by Lori Henry

        In Dancing Through History, Henry crosses Canada's vast physical and ethnic terrain to uncover how its various cultures have evolved through their dances.   Her coast-to-coast journey takes her to Haida Gwaii in British Columbia, where she witnesses the seldom seen animist dances of the islands' First Nation people. In the Arctic, Henry partakes in Inuit drum dancing, kept alive by a new generation of Nunavut youth. And in CapeBreton, she uncovers the ancient "step dance" of the once culturally oppressed Gaels of Nova Scotia.   During her travels, Henry discovers that dance helps to break down barriers and encourage cooperation between people with a history of injustice. Dance, she finds, can provide key insight into what people value most as a culture, which is often more similar than it seems. It is this kind of understanding that goes beyond our divisive histories and gives us compassion for one another.   Unique to this book, Dancing Through History includes first person interviews with First Nations, Métis, and Inuit (Canada's Aboriginal groups) talking about their traditions and the effect colonisation has had on them, all through the lens of dance. Their voices are given ample space to speak for themselves – what is revealed is a beautiful worldview and many lessons to be learned in order to have a healthy planet and tolerant people as we move into the future.   Book Details: This is an adult non-fiction book of Canadian content. The target market is curious travellers and those interested in culture beyond the typical tourist traps. Sales have ranged from junior high schools to retired baby boomers. Interested publishers can make an offer directly on the profile page to buy available rights.

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      • De wereld vanuit een luchtballon
        Art Styles Not Defined by Date
        November 2013

        De wereld vanuit een luchtballon

        by Robert Verhoogt

        The invention of the hot air balloon in 1783 caused a sensation which would last for more than a century. The great aeronaut Jean-Pierre Blanchard and his fellow pioneers were followed by many others, whose lift-off attracted masses of people again and again. The subsequent “balloon mania” created a new element in cultural history: the third dimension, reflected in the literary and visual arts as well as in high culture and popular imagination. Scenes from a Balloon skilfully endeavours to reconstruct the sensation the balloon caused in cultural history of the late eighteenth and nineteenth century in Europe and the United States. After Thomas Baldwin produced the first image from a balloon in 1785, reproduction of remarkable prints, paintings, and photographs gained widespread popularity. Balloons inspired well-known photographers and artists, including Nadar, Spelterini, Goya, Manet, Daumier, and Redon, but they also led to a wealth of arts & crafts and popular souvenirs. The adventures of Blanchard, Nadar and other balloonists were a source of inspiration for popular writers like Edgar Allan Poe, Jules Verne, and Mark Twain.

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      • OntoArte. The In Sé of Art
        The Arts
        April 2005

        OntoArte. The In Sé of Art

        by Antonio Meneghetti

        According to Meneghetti, the third millennium must bring the rebirth of art that does not only represent pain and regression, but also a lay and humanistic commitment, based on the conception of the human being as the centre of beauty and vital fulfilment. In the 1970s, Meneghetti founded a new artistic movement on this premise, a movement aimed at the "renaissance" of the human being and called it 'OntoArte'. This book explains how the author formalises the logical process of OntoArte from a philosophical, existential, cultural and sociological point of view, as well as from the practical point of view of artistic education.

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