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      • The Arts
        October 2020

        RIDLEY SCOTT

        A Retrospective

        by Ian Nathan

        Illustrated with images as iconic as they are stunning and including the author’s first-hand experiences on set and interviews with Scott himself, this book charts the extraordinary journey of Britain’s greatest living director.Telling the stories behind Alien and Blade Runner, Gladiator and Black Hawk Down, and many more, it also goes in search of the themes and motifs that unite such different films, and the methods and madness of Scott’s approach to his medium.This is the account of a director who has never been less than stubbornly, brilliantly, unforgettably his own man. ​ Author Ian Nathan is one of the UK’s best-known film writers. He is the author of eight previous books, including Alien Vault, the bestselling history of Ridley Scott’s masterpiece, and Terminator Vault. He is the former editor and executive editor of Empire, where he remains a contributing editor.

      • The Arts

        RADIOHEAD

        Life in a Glasshouse

        by John Aizlewood

        Voted second-best artist of the 2000s by the readers of Rolling Stone, Radiohead is recognised as not only one of the most eminent alternative rock bands, but also one of the most forward-thinking and experimental. After gaining attention with the slow-burning success of their single "Creep", the band have continued to ceaselessly move forward, rejecting the “MTV eye-candy lifestyle” set out for them and choosing to alter and refine their sound with every subsequent release.Three-and-a-half decades later, the band manages to remain one of the most prominent names on the music scene. However, when they formed as On A Friday in 1985, they were considered musical outliers from the detached and indistinguishably instrumented era of shoegaze, with their earlier work earning mixed reviews from critics and audiences alike. It was a long road until the group scored the international attention and acclaim that they can boast today. ​ Author John Aizlewood writes for Mojo, Q and Classic Rock. During a 25-year career, he has written about music for The Guardian, Blender, The Observer, Melody Maker, Sounds, FHM, The Sunday Times and a host of others. His books include Love Is The Drugand Playing At Home; he is a critic on the widely acclaimed Rock Icons series and lives near London.

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