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A man selling kebabs in the shadow of a papier mâché tree; a woman standing with a small stage built around her breasts while people wait their turn to touch them; another woman projecting snapshots of Belgrade with the official buildings painted out: what do these events have in common? All are works of public art. And all take a cue from the fugitive art of performance. The most forceful monuments of the last few decades, whether built to last on national malls or flashed as signs of protest, were in fact designed by performance artists. This book argues for the conceptual significance of performance, and of a performative model of art, to the revival of the public monument in the wake of the Second World War and the partition of Europe. Through detailed studies of artists working along these ideological fault lines, including Valie Export, Günter Brus, Marina Abramovic, Sanja Ivekovic, Joseph Beuys, Jochen Gerz and Santiago Sierra, it argues that it is not the subjective, anti-authoritarian rhetoric of performance that makes it public art, but its power to build social bonds both personal and political. Readers interested in contemporary art, politics, photography and performance theory will find in this book new facts and arguments concerning their interrelation. -
Author Biography
Mechtild Widrich is Assistant Professor of Contemporary Art History at the School of the Art Institute of Chicago; Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date May 2014
- Orginal LanguageEnglish
- ISBN/Identifier 9780719091636
- Publication Country or regionUnited Kingdom
- FormatHardback
- Primary Price 100 GBP
- Pages256
- ReadershipProfessional and scholarly
- Publish StatusPublished
- Dimensions234x156 mm
- IllustrationIllustrations, black & white
- SeriesRethinking Art's Histories
- Reference CodeIPR6862
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