Literary studies: plays & playwrights
Making and unmaking in early modern English drama
Spectators, aesthetics and incompletion
by Chloe Porter
Description
Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.
More Information
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date November 2015
- Orginal LanguageEnglish
- ISBN/Identifier 9781526103284 / 1526103281
- Publication Country or regionUnited Kingdom
- Pages208
- ReadershipProfessional and scholarly
- Publish StatusPublished
- Dimensions234x156 mm
- IllustrationIllustrations, black & white
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