Incest in contemporary literature
by Miles Leeson
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Endorsements
This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day; It considers a number key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. This study discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. This collection will enhance the growing academic interest in trauma narratives and taboo-literature, offering a useful contribution to a fast-evolving field of artistic criticism which is concerned with the relationship between social issues and creativity. The collection is accessible to all in the academy including undergraduates, postgraduates and established academics and will be a core resource for those working in this area. The critical introduction gives an overview of recent real-life events, fictional works, and a variety of interpretive readings and asks how and why literature and visual arts respond in a variety of ways to trauma. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.
Reviews
This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day; It considers a number key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. This study discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. This collection will enhance the growing academic interest in trauma narratives and taboo-literature, offering a useful contribution to a fast-evolving field of artistic criticism which is concerned with the relationship between social issues and creativity. The collection is accessible to all in the academy including undergraduates, postgraduates and established academics and will be a core resource for those working in this area. The critical introduction gives an overview of recent real-life events, fictional works, and a variety of interpretive readings and asks how and why literature and visual arts respond in a variety of ways to trauma. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date August 2018
- Orginal LanguageEnglish
- ISBN/Identifier 9781526122162 / 1526122162
- Publication Country or regionUnited Kingdom
- ReadershipGeneral/trade
- Publish StatusPublished
- Dimensions234 X 156 mm
- Reference Code9260
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