Tamara’s book is something you can hold in your hands and read now but before it was just a dream. Tamara’s dream was kept in a beautiful box and when the box was opened up, it became possible for the dream to come true. This book is evidence that dreams can come true.
This book analyses and examines the origins, names, categories, materials, styles, production techniques, wearing styles and decorative patterns of jewelry, as well as the corresponding rules and regulations and other cultural information attached to them, through a combination of literature, aesthetic appreciation and cultural interpretation, and explains the close relationship between dress and people in traditional Chinese culture: jewelry is close to people and is an important symbol of status, skills and so on. It also directly reflects the spirituality, philosophical thinking, aesthetic standards and cultural trends of society. The book fills a gap in the study of ancient Chinese jewelry and is of innovative and cumulative cultural value. It was nominated for the 5th China Publishing Government Award.
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Key Points: Touches in little wishes teach children to be kind and make the connections. Brief content Coronavirus disease breaks out at a dizzying speed. A stray dog that used to rely on people’s feed now loses its food supply. Fortunately, a girl and her grandma, who often fed the dog, adopt it. The parents of the girl are both front-line medical workers who devote themselves to battling with the epidemic. During the time when the girl’s parents are far away, the dog is a comfort to her, accompanying her to wait for her parent’s victory and homecoming. Reading Guidance This picture book illustrates the life in a community facing epidemic. The empty lunch box becomes a symbol of the empty street in the time of an epidemic. Therefore, filling up the empty lunch box symbolizes the emotions between humans and animals and the love among people. Flowers in the empty lunch box embodies the seed of hope sprouting in love. Animals are human beings’ friends. This book on the one hand focuses on the epidemic situation and the community’s work. On the other hand, it guides children to care about life and pass on love to others. Copyright Sold to America, France, German, Lebanon, Turkey, Belgium, Tunisia, Vietnam, Nepal, India,Thailand, Mongolia, New Zealand, Pakistan, Sri Lanka, Cambodia, Russia, Hungary, the UK ( 19countries) For More Information of Big-eyes Heartwarming Series International Achievement, please refer to https://pan.baidu.com/s/1B6YNlazYSgWJmplmelgM6Q (fetch code：9a53) Video of First Launch of Big-eyes Heartwarming Series in Gemany Version, please refer to https://pan.baidu.com/s/1ym9c95T7LyoRPwuI3rXRiQ (fetch code: I9m7) Video of Germany Young readers reading Big eyes Heartwarming Series, please refer to https://pan.baidu.com/s/1X8n_c82FCWNnDqGuOWppHg (fetch code: 9ptu) Promotion of Big eyes Heartwarming Series in Russian Version on Frankfurt Bookfair, please refer to https://pan.baidu.com/s/1DMP0dMA9mMjZZ2Smc9dBig (fetch code: 0la4)
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Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves.
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Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;
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Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.
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Ten scary stories that could have happened in your city as well: at home, in the yard, or at school. According to Kotryna Zylė, these scary stories were inspired by her dad’s stories heard in childhood and unexpected encounters with mythical creatures. The author likes to construct her own stories— to take an old myth or legend and rewrite it by transferring the action of the story into today’s reality. If, when reading this book, you think that someone is hiding in the closet or on the balcony at night, if nails open on a tree branch instead of buds, and a bee suddenly flies out of a friend’s mouth—stay calm, it is all creatures doing.
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Zu Max Frischs 100. Geburtstag versammelt eine DVD-Box in der filmedition suhrkamp auf fünf DVDs die wichtigsten Filme von, mit und über den großen Schweizer Schriftsteller: ein Porträt des öffentlichen Intellektuellen Frisch (Matthias von Guntens Dokumentation "Max Frisch. Citoyen"), die vielfach ausgezeichnete Verfilmung "Holozän" von Heinz Bütler und Manfred Eicher, Richard Dindos "Journal I-III" (eine filmische Lektüre der Erzählung Montauk) sowie die Gespräche im Alter, die Philippe Pilliod in den Jahren 1985/1986 geführt hat. Vervollständigt wird das Paket durch ein besonderes Extra: Volker Schlöndorffs "Homo faber"-Adaption. Die Verfilmung mit internationaler Starbesetzung macht die Box zu einem Ereignis. Ein einzigartiger Zugang zu Leben und Werk des großen Autors.
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This book is the only one that follows the art auctions for 21 consecutive years in China. It has 5 volumes respectively on jadeite jewelry, porcelain, miscellaneous, jade ware, calligraphy and paintings. Each volume contains all the auction items’ photos and details, and all the auction data from over 50,000 items of 40 more art categories in 2020.
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The book "I Love You..." is part of the trilogy..., "I love you, till death..." and "I love you, as long as my heart beats”, autobiographical love novels which include chapters from life in a couple of the writer Julien Tănase and his wife, Magdi, with whom he has been in a relationship for 30 years, all against the background of the events that Romania has gone through in recent decades, after the Revolution of '89. A trilogy about the endurance over time of a young couple in love, who have gone through events that are out of touch with reality in Romania where sleeping with a gun under the pillow, the fear of having their child kidnapped, and even the "wars" waged against the corruption of magistrates, politicians and the information systems of a civil society gripped by the widespread corruption in Romania, including the lawsuit invented by the DNA (National Anticorruption Directorate) to stop his work as a journalist and finally won by the writer, makes the autobiography of writer Julien Tănase a fascinating one that leaves you with a bitter taste in your mouth and a big question mark; ... "such things have happened and continue to happen in Romania"?... The writer Julien Tănase: "A friend in the Italian Police told me, and I quote him: "... if you had done in Italy what you did for your country, today a street would bear your name! But you had been dead!"
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Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people. This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations. Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written). The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places. The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form. The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes. The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.
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Health promotion is a key mechanism in tackling the foremost health challenges faced by developing and developed nations. Covering key concepts, theory and practical aspects, this new edition continues to focus on the themes central to health promotion practice worldwide. Social determinants, equality and equity, policy and health, working in partnerships, sustainability, evaluation and evidence-based practice are detailed, and the critical application of health promotion to practice is outlined throughout the book. Beginning with the foundations of this important area, in this new edition the authors then place greater emphasis on the role of power within health and communities. Drawing upon international settings and teaching experience in the global North and South, it finishes with a summary of the future directions of professional health promotion practice. Placing a strong emphasis on a global context, this book provides an accessible and engaging resource for postgraduate students of health promotion, public health nursing and related subjects, health practitioners and NGOs.
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Sid is a lonely boy who detests idle, lonely trees. He has good reasons though. At least he likes to think so. He does not notice the friendship between the dangling leaves, dancing to the song of the wind. He ignores countless birds returning to the safety of their comfy homes, nestled in the soft spots of rough branches, after a long day of collecting worms. So when he is called a brainless tree for missing a save in soccer at school, it is easy for him to decide he never wants to be a tree, until one morning he wakes up to have transformed into one. Srividhya Venkat spins a delectable fantasy around thinking twice about what you wish for, or not and depicts the transformation of Sid’s lonely life after he embraces the excitable voices of kids twisted in his vines and the ecosystem hovering above him. Nayantara Surendranath’s eccentric combination of art collage and digital creation expresses the refreshing quirks that breathe life into the tale.
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China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The Secret of Crossing tells the story of the growth of children in villages and small towns. The mud road to the canteen is narrow, several places collapse from the foot of the wall, and one of them breaks into a big gap. Why not fill in the big gap? It's really a lion in the way, and the girl has to cross it carefully, with all her strength.
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