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      • Trusted Partner
        Glorious catastrophe
        The Arts
        May 2012

        Glorious catastrophe

        Jack Smith, performance and visual culture

        by Dominic Johnson, Amelia Jones, Marsha Meskimmon

        Glorious catastrophe presents a detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDS-related death in 1989. Dominic Johnson argues that Smith's work offers critical strategies for rethinking art's histories after 1960. Heralded by peers as well as later generations of artists, Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously absent from dominant histories of American culture in the 1960s, as well as from narratives of the impact that decade would have on coming years. Smith poses uncomfortable challenges to cultural criticism and historical analysis, which Glorious catastrophe seeks to uncover. The first critical analysis of Smith's practices across visual art, film, performance and writing, the study employs extensive, original archival research carried out in Smith's personal papers, and unpublished interviews with friends and collaborators. It will be essential reading for students and scholars interested in the life and art of Jack Smith, and the greater histories that he interrupts, including those of experimental arts practices, and the development of sexual cultures. ;

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      • Trusted Partner
        Glorious catastrophe
        The Arts
        November 2013

        Glorious catastrophe

        Jack Smith, performance and visual culture

        by Dominic Johnson, Amelia Jones, Marsha Meskimmon

        Glorious catastrophe presents a detailed critical analysis of the work of Jack Smith from the early 1960s until his AIDS-related death in 1989. Dominic Johnson argues that Smith's work offers critical strategies for rethinking art's histories after 1960. Heralded by peers as well as later generations of artists, Smith is an icon of the New York avant-garde. Nevertheless, he is conspicuously absent from dominant histories of American culture in the 1960s, as well as from narratives of the impact that decade would have on coming years. Smith poses uncomfortable challenges to cultural criticism and historical analysis, which Glorious catastrophe seeks to uncover. The first critical analysis of Smith's practices across visual art, film, performance and writing, the study employs extensive, original archival research carried out in Smith's personal papers, and unpublished interviews with friends and collaborators. It will be essential reading for students and scholars interested in the life and art of Jack Smith, and the greater histories that he interrupts, including those of experimental arts practices and the development of sexual cultures. ;

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      • Trusted Partner
        René Magritte
        The Arts
        November 2009

        René Magritte

        Beyond painting

        by Patricia Allmer

        René Magritte: Beyond painting offers a rethinking of Magritte's art from a position informed by contemporary developments in art theory. The book employs a wide range of literary and philosophical/cultural theoretical frameworks to analyse Magritte's art. It offers close readings of specific images, paying attention to neglected aspects of Magritte's work, discussing the significance of cabinets of curiosities and encyclopaedias, trompe l'oeil, framing and forgeries. It addresses a range of intertextual relations between Magritte's work and that of other Surrealist artists and the art-historical tradition. This book explores how Magritte's art challenges conventional notions of originality, canonicity and coherence, revealing his work as being shaped by co-operations and co-options. It demonstrates that uncertainty, incoherence and negation lie at the core of Magritte's oeuvre. ;

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      • Trusted Partner
        Clive Barker
        Literature & Literary Studies
        October 2017

        Clive Barker

        Dark imaginer

        by Sorcha Fhlainn

        Clive Barker: Dark imaginer explores the diverse literary, film and visionary creations by the polymathic and influential British artist Clive Barker. In this necessary and timely scholarly collection, these innovative essays by leading scholars in the fields of literature, film and popular culture, explore Barker's contribution to gothic, fantasy, and horror studies, and interrogate his creative legacy. The volume consists of an extensive introduction and twelve groundbreaking essays which critically reevaluate Barker's oeuvre and include in-depth analyses of his celebrated and lesser known novels, short stories, theme park designs, screen and comic book adaptations, film direction and production, sketches and book illustrations, and responses to his material from critics and fan communities. Clive Barker: Dark imaginer reveals the breadth and depth of Barker's distinctive dark vision which continues to fascinate and flourish.

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      • Trusted Partner
        Love and authority in the work of Paula Rego
        The Arts
        October 2010

        Love and authority in the work of Paula Rego

        Narrating the family romance

        by Ruth Rosengarten

        Rosengarten explores the narrative operations of Rego's work by mobilising both psychoanalytic theory and social history. She confronts, as case studies, three complex figure paintings from different moments in Rego's oeuvre: The Policeman's Daughter (1987), The Interrogator's Garden (2000), and The First Mass in Brazil (1993). The content of the three specimen paintings links them to the political context of the Estado Novo, the fascist-inspired regime that dominated Rego's childhood. Plotting links between the spheres of the political and the personal, Rosengarten throws light on the complex intertwining of state power and parental authority in Rego's work, focusing on the "labour of socialisation and resistance" that Rego's work evinces in relation to the Freudian model of the family romance. Rosengarten unveils the political context of Portugal under Salazar, and the workings of colonial fantasy, Catholic ideology and gender construction. In prodding the inalienable link between love and authority, this study offers a reading of Rego's work that interrogates, rather than subverts, the Oedipal model structuring the patriarchal family. ;

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      • Trusted Partner
        Marcantonio Raimondi, Raphael and the image multiplied
        The Arts
        September 2016

        Marcantonio Raimondi, Raphael and the image multiplied

        by Edward H. Wouk, Leslie A. Geddes, Jun Nakamura, Lisa Pon, David Morris, Edward H. Wouk, Henri Zerner, Tatiana Bissolati, Guido Rebecchini, Kathleen Christian, Paul Joannides, Bryony Bartlett-Rawlings, Beverly Louise Brown, Patricia Emison, Catherine Jenkins, Madeleine Viljoen, Sarah Vowles, Jamie Gabbarelli, Peter Black, Barbara Furlotti, Steven Milner, Jenny Spinks, Rheagan E. Martin, Sophie Gordon Cumming, Imogen Harley, Jemima Rose, Heather Garner, Max Weaver, Albert Lindsell, Peter Hayes, Monique Nievas, Holly Smallbone, James Wildgoose

        Best known for his partnership with Raphael, the engraver Marcantonio Raimondi (c. 1480-c. 1534) enabled Renaissance artists to disseminate their designs in print, advancing a revolution in visual communication that still reverberates in our own information age. Yet Marcantonio did more than render compositions by famous artists in the novel medium of engraving. The entries and essays in this catalogue, written by a group of international scholars and published to accompany the first exhibition of Marcantonio's work in over three decades, reveal the diversity of Marcantonio's oeuvre and the scope of his innovation as the leading printmaker of the Italian Renaissance. In-depth studies of Marcantonio's engravings expand our knowledge of his collaboration with Raphael, while also probing Marcantonio's creative response to the dynamic humanist culture in his native Bologna and later in Venice and Rome. Contributions also examine engravings by Marcantonio's 'followers' and consider the importance of his work to the history of print collecting.

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      • Trusted Partner
        Clive Barker
        Literature & Literary Studies
        October 2018

        Clive Barker

        Dark imaginer

        by Sorcha Ní Fhlainn

        Clive Barker: Dark imaginer explores the diverse literary, film and visionary creations of the polymathic and influential British artist Clive Barker. In this necessary and timely collection, innovative essays by leading scholars in the fields of literature, film and popular culture explore Barker's contribution to gothic, fantasy and horror studies, interrogating his creative legacy. The volume consists of an extensive introduction and twelve groundbreaking essays that critically reevaluate Barker's oeuvre. These include in-depth analyses of his celebrated and lesser known novels, short stories, theme park designs, screen and comic book adaptations, film direction and production, sketches and book illustrations, as well as responses to his material from critics and fan communities. Clive Barker: Dark imaginer reveals the breadth and depth of Barker's distinctive dark vision, which continues to fascinate and flourish.

        More
      • Trusted Partner
        Painting her pleasure
        The Arts
        November 2022

        Painting her pleasure

        Three women artists and the nude in early twentieth-century Paris

        by Lauren Jimerson

        In France, women were banned from studying live nude models in public art institutions until the end of the nineteenth century. Social mores discouraged women from gazing at their own naked bodies, let alone another woman's. But three artists, Suzanne Valadon, Émilie Charmy and Marie Vassilieff, painted the nude without inhibition, rupturing conventions and reversing gender roles. This book sheds light on these pioneering women, previously marginalised within art history, each of whom recast the nude in accordance with her own perception of gender, sexuality and the self. At the same time, it argues that the participation of women artists was the very thing that made modernism modern.

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      • Trusted Partner
        Painting her pleasure
        The Arts
        November 2022

        Painting her pleasure

        Three women artists and the nude in early twentieth-century Paris

        by Lauren Jimerson

        In France, women were banned from studying live nude models in public art institutions until the end of the nineteenth century. Social mores discouraged women from gazing at their own naked bodies, let alone another woman's. But three artists, Suzanne Valadon, Émilie Charmy and Marie Vassilieff, painted the nude without inhibition, rupturing conventions and reversing gender roles. This book sheds light on these pioneering women, previously marginalised within art history, each of whom recast the nude in accordance with her own perception of gender, sexuality and the self. At the same time, it argues that the participation of women artists was the very thing that made modernism modern.

        More
      • Trusted Partner
        Gee Vaucher
        The Arts
        November 2022

        Gee Vaucher

        Beyond punk, feminism and the avant-garde

        by Rebecca Binns

        As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America. Created while she was working as an illustrator for the New York Times, it shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position between avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the anarchist open-house collective at Dial House in Essex, a centre for radical creativity.

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      • Trusted Partner
        Gee Vaucher
        The Arts
        November 2022

        Gee Vaucher

        Beyond punk, feminism and the avant-garde

        by Rebecca Binns

        As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America. Created while she was working as an illustrator for the New York Times, it shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position between avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the anarchist open-house collective at Dial House in Essex, a centre for radical creativity.

        More
      • Trusted Partner
        Killing Men & Dying Women
        The Arts
        July 2022

        Killing Men & Dying Women

        Imagining Difference in 1950s New York Painting

        by Griselda Pollock

        What did it mean for painter Lee Krasner to be an artist and a woman if, in the culture of 1950s New York, to be an artist was to be Jackson Pollock and to be a woman was to be Marilyn Monroe? With this question, Griselda Pollock begins a transdisciplinary journey across the gendered aesthetics and the politics of difference in New York abstract, gestural painting. Revisiting recent exhibitions of abstract expressionism that either marginalised the artist-women in the movement or focused solely on the excluded women, as well as exhibitions of women in abstraction, Pollock reveals how theories of embodiment, the gesture, hysteria and subjectivity can deepen our understanding of this moment in the history of painting co-created by women and men. Providing close readings of key paintings by Lee Krasner and re-thinking her own historic examination of images of Jackson Pollock and Helen Frankenthaler at work, Pollock builds a cultural bridge between the New York artist-women and their other, Marilyn Monroe, a creative actor whose physically anguished but sexually appropriated star body is presented as pathos formula of life energy. Monroe emerges as a haunting presence within this moment of New York modernism, eroding the policed boundaries between high and popular culture and explaining what we gain by re-thinking art with the richness of feminist thought.

        More
      • Trusted Partner
        Killing Men & Dying Women
        The Arts
        July 2022

        Killing Men & Dying Women

        Imagining Difference in 1950s New York Painting

        by Griselda Pollock

        What did it mean for painter Lee Krasner to be an artist and a woman if, in the culture of 1950s New York, to be an artist was to be Jackson Pollock and to be a woman was to be Marilyn Monroe? With this question, Griselda Pollock begins a transdisciplinary journey across the gendered aesthetics and the politics of difference in New York abstract, gestural painting. Revisiting recent exhibitions of abstract expressionism that either marginalised the artist-women in the movement or focused solely on the excluded women, as well as exhibitions of women in abstraction, Pollock reveals how theories of embodiment, the gesture, hysteria and subjectivity can deepen our understanding of this moment in the history of painting co-created by women and men. Providing close readings of key paintings by Lee Krasner and re-thinking her own historic examination of images of Jackson Pollock and Helen Frankenthaler at work, Pollock builds a cultural bridge between the New York artist-women and their other, Marilyn Monroe, a creative actor whose physically anguished but sexually appropriated star body is presented as pathos formula of life energy. Monroe emerges as a haunting presence within this moment of New York modernism, eroding the policed boundaries between high and popular culture and explaining what we gain by re-thinking art with the richness of feminist thought.

        More
      • Trusted Partner
        Robert Lepage's original stage productions
        The Arts
        August 2020

        Robert Lepage's original stage productions

        Making theatre global

        by Karen Fricker, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels

        This book explores the development of Robert Lepage's distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage's productions. Productions discussed include The Dragon's Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage's original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century.

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      • Trusted Partner
        Robert Lepage's original stage productions
        The Arts
        August 2020

        Robert Lepage's original stage productions

        Making theatre global

        by Karen Fricker, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels

        This book explores the development of Robert Lepage's distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage's productions. Productions discussed include The Dragon's Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage's original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century.

        More
      • Trusted Partner
        The medium of Leonora Carrington
        Teaching, Language & Reference
        November 2022

        The medium of Leonora Carrington

        A feminist haunting in the contemporary arts

        by Catriona McAra

        Before her death, the artist and writer Leonora Carrington (1917-2011) had already garnered a cult following, with numerous creative people making the pilgrimage to meet her at her home in Mexico City. Since then, her fame has only increased. Thinking across contemporary art media, this book demonstrates how Carrington has posthumously become a medium in her own right, critically haunting the creative intellectuals who met or knew her. It explores the work of a remarkable variety of individuals and organisations, including the artists Lucy Skaer, Samantha Sweeting and Lynn Lu, the actress Tilda Swinton, the novelists Chloe Aridjis and Heidi Sopinka and the ensemble Double Edge Theatre. This long-awaited study provides essential reading for both new and established members of the burgeoning Carrington fan club.

        More
      • Trusted Partner
        The medium of Leonora Carrington
        Teaching, Language & Reference
        November 2022

        The medium of Leonora Carrington

        A feminist haunting in the contemporary arts

        by Catriona McAra

        Before her death, the artist and writer Leonora Carrington (1917-2011) had already garnered a cult following, with numerous creative people making the pilgrimage to meet her at her home in Mexico City. Since then, her fame has only increased. Thinking across contemporary art media, this book demonstrates how Carrington has posthumously become a medium in her own right, critically haunting the creative intellectuals who met or knew her. It explores the work of a remarkable variety of individuals and organisations, including the artists Lucy Skaer, Samantha Sweeting and Lynn Lu, the actress Tilda Swinton, the novelists Chloe Aridjis and Heidi Sopinka and the ensemble Double Edge Theatre. This long-awaited study provides essential reading for both new and established members of the burgeoning Carrington fan club.

        More
      • Trusted Partner
        Gee Vaucher
        The Arts
        November 2022

        Gee Vaucher

        Beyond punk, feminism and the avant-garde

        by Rebecca Binns

        As one of the people who defined punk's protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America. Created while she was working as an illustrator for the New York Times, it shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher's work. It examines her unique position between avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all 'isms', her work offers a unique take on the history of feminist art. The book explores how her life has shaped her output, with particular focus on the anarchist open-house collective at Dial House in Essex, a centre for radical creativity.

        More

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