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      • Trusted Partner
        The Arts
        June 2023

        Albrecht Dürer’s material world

        by Edward H. Wouk, Jennifer Spinks

        The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery's outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer's art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

      • Trusted Partner
        The Arts
        June 2023

        Albrecht Dürer’s material world

        by Edward H. Wouk, Jennifer Spinks

        The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery's outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer's art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

      • Trusted Partner
        The Arts
        June 2023

        Albrecht Dürer’s material world

        by Edward H. Wouk, Jennifer Spinks

        The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery's outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer's art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

      • Semiotics / semiology

        The Hidden Life of Renaissance Art

        Secrets and Symbols in Great Masterpieces

        by Clare Gibson

        The art of the Renaissance is teeming with hidden life that is often only visible to the initiated. Are you privy to its secrets? Does the idea of learning what some of the most famous paintings in the world really mean intrigue you? If so, this illuminating book will open your eyes to the fascinating stories related by Renaissance masterpieces, tales that tell of eternal damnation, of murdered wives, and of aristocratic spies, that speak volumes about human fears and frailties, and that convey profound philosophical concepts. This absorbing work of reference is also an invaluable tool that will teach you how to decipher artists' symbolic messages for yourself.

      • Renaissance art
        February 2016

        Italian Renaissance Courts

        Art, Pleasure and Power

        by Alison Cole

        In this authoritative study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua and Milan. The princes who ruled these city-states, vying with each other and with the great European courts, relied on artistic patronage to promote their legitimacy and authority. Major artists and architects, from Mantegna and Pisanello to Bramante and Leonardo da Vinci, were commissioned to design, paint and sculpt, but also to oversee the court’s building projects and entertainments. Bronze medallions, illuminated manuscripts and rich tapestries, inspired by sources as varied as Roman coins, Byzantine ivories and French chivalric romances, were treasured and traded. Palaces were decorated, extravagant public spectacles were staged and whole cities were redesigned, to bring honour, but also solace and pleasure. The ‘courtly’ styles that emerged from this intricate landscape are examined in detail, as are the complex motivations of ruling lords, consorts, nobles and their artists. Drawing on the most recent scholarship, Cole presents a vivid picture of the art of this extraordinary period.

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